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Invitation Bonton

Nathalie has a new book out! You can get it from Amazon.fr.

Good Mail Day

Carolee and Jennie are too dang cute for ANYthing!

So excited to have Carolee Gilligan Wheeler with us today for a fabulous Author *Interview* --- Yay!! Makes me want to not just write y'all a letter, but pretty it up for you with some of my art...
My friend and sometimes art comrade Shirley Ende-Saxe has been doing pretty swell mail art for the 10 years that I've known her --- maybe I need to get a clue. Love this book - it's written in a breezy, encouraging style, and delves into the subject with brio! Okay, enough digression. Without further ado, onto the show!

What's the name of your book?
Good Mail Day: A Primer for Making Eye-Popping Postal ArtWhat's your book about?
Good Mail Day is about all of the wonderful ways to utilize the postal service (a medium that many have thought fallen out of favor) to send creative, unique mail and mail art to friends and strangers all over the world. We take new users through simple ways to create more individual and interesting pieces of mail, from the humble postcard to mail-able sculptures, and then we introduce them to the finer points of working within the Mail Art network.

How long have you been doing this type of craft or art?
I would honestly say that I have been making mail art since high school, when I had a variety of pen-pals that I discovered through the pen-pal section of my favorite band’s Fan Club. Those people introduced me to the idea of friend books (essentially an add-and-pass in the fine mail art tradition) and the idea of making one’s mail as distinctive and artistic as possible. Within were letters, yes, but also drawings, mix tapes, and even things like 100 plastic ants. People prided themselves on how unusual they could make their mailings, which were essentially to complete strangers. The only comparable level of dedication I’ve seen since has been with mail artists. I became more interested in mail art as its own medium (separate from mere letter-writing, in which I was still engaged) when I met Jennie in 2004 and we started sending things to one another.

What inspired you to write Good Mail Day?
Jennie {Hinchcliff} and I have been engaged in our project, Pod Post, since we met, and Pod Post is, purely and simply, correspondence-obsessed. We have sold stationery sets and mail art kits, as well as mail art bentos filled with tags, labels, stickers, and postal rubber stamps that we bought on a trip to Japan and assembled in little bento boxes (complete with fake sushi grass!). Our Pod Post logo incorporates the international symbol for Post. Pretty much everything Pod Post does has to do with mail and mail art. So it was a natural fit, and since we continually meet people who say, “Oh my gosh, people still SEND MAIL?” we jumped at the chance to show them all of the wonderful ways they can incorporate their love of collage, or typography, or illustration—you name it—into making and sending exciting mail art. Doesn’t everyone love to get REAL mail? Most people I know do. And the first rule of the Mail Art Network is that if you want to get great mail, you have to send great mail. We thought maybe people just needed a little nudge, and the book could serve that purpose.

What makes your book different?
Most of the mail art books I’m familiar with have been out-of-print for a long time, and other correspondence-related books seem to focus on either card-making or penmanship or something of a more specific nature. With mail art I think you get the entire package. At its best, it’s 100% handmade, completely unique to the sender, and definitely the kind of thing you want to keep. And unlike more traditional fine arts, mail art is still really affordable, especially in the United States, where you can send off a gorgeous piece of mail art for as little as a postcard stamp. I also hope people will notice the incredible variety of the mail art we received for submission, all of it received through a traditional mail art call-for-entries. There are so many styles in there that it’s my hope that everyone who sees it will understand that anyone can make mail art, it can take as little as ten minutes, and there’s room for everyone’s personal vision.

Who will most enjoy or benefit from this book?
Everyone! Seriously. Well, anyone who likes making things. A wood-whittler could make really exciting mail art! The most natural extensions of their crafts will be for calligraphers, illustrators, collage and scrapbook artists, printmakers, photographers, painters, typography and design nerds, philatelists, junk-hoarders, origami enthusiasts…. Honestly. Name a craft, and I could probably think of a way that it could be applied to mail art. Beyond that, we’re just looking for the people who say, “I remember when I used to get the best mail…”.

When and where will your book be available?
It's available right NOW! You can get it at Barnes and Noble, Borders, Amazon, and any number of craft stores.

Were there contributors to this book? If so, who were they?
We received a very large number of contributions through a call-for-entries and included nearly every one in this book. They run the gamut—from friends and acquaintances who said “What’s mail art, again? Well, I guess I could do that…” to seasoned mail art network-ers and paper crafters. There are far, far too many to list here.

Re-Bound Rocks Repurposing!

Have you all seen re-bound yet?

"Re-Bound shows you how to take everyday materials from around the house, flea markets, thrift stores, and hardware stores, and turn them into clever and eye-catching hardbound books. Instead of asking, "What can I make a book out of, you'll be thinking, "What can't I make a book out of?" (Excerpted from the back cover!)

This book joins a growing list of swell DIY and how-to books on using what we already have to aid us in our creative pursuits. Many artists - especially in mixed-media have been repurposing and recycling elements gleaned from EVERYwhere for years. Re-Bound adds more clever and practical ideas to the mix, and directs them specifically to the creation of handmade books. If you are new to the bookarts community, Re-Bound will serve as as inspirational primer, and if you already have some bookmaking skills under your hat, it will direct you to some new cliffs from which you will definitely want to dive headfirst! There are 16 pages of patterns and templates, excellent step-by-steps with darling little line drawings to illustrate each how-to, and so many suggestions for repurposing your head may spin. I was especially intrigued with Jeannine's felted sweater journal, and the gallery rocks.INTERVIEW WITH THE AUTHOR (that's Jeannine you see pictured above)
Tell us a little about your book!
Re-Bound: Creating Handmade Books From Recycled and Repurposed Materials This is a how-to book on making books from new and vintage recycled and repurposed materials such as potato chip bags, sweaters, cabinet cards, record albums, hot water bottles and gift cards. There are 16 projects in the book that all have step-by-step instructions with illustrations, and 14 more books by other artists in the gallery. Each project features a different binding that even beginners can do. Re-Bound also includes tips and variations for each project.

How long have you been doing this type of craft or art?
I've been making books for more than 15 years, including photo albums, journals, sketch books, guest books, and notebooks. I've been crafting all my life, ever since I could hold a pair of scissors.

What inspired you to write this book?
I love to do fine bindings and work in traditional leather and bookboard, but while doing that I began to discover that exploring other materials offered a different challenge and satisfaction. I became inspired by flea market finds such as vintage textiles and photographs, and started making books with them several years ago - it took my work to an entirely new level. I also love modern graphics on things like food and product packaging, and found they're great for making books as well. At the same time I was doing this, I began to see fantastic work being done by other designers and artists who were turning existing items into furniture, clothes, accessories and lighting. I knew I wasn't the only one who was crazy about working with recyclables.

What makes your book different?
All of the projects use recycled materials, which hasn't been done before in a book on bookbinding. Although the projects are easy enough for a beginner to do, experienced binders and book artists will definitely find some challenges. Also, the text offers a lot of information on how and where to find materials, plus tips on how to work with them.

Who will enjoy or benefit most from this book?
Bookbinders and artists for sure, but also people who like working with recycled materials and found objects. Scrapbookers will really enjoy the projects, many of which can be used as albums. Photographers and artists are always looking for places to feature their work, and there are several books that are perfect for that.

When and where will your book be available?
It was published in July of 2009. Find it at Barnes and Noble, Borders, Amazon, and any number of craft stores.

Were there contributors to this book? If so, who were they?
The gallery contributors are: Norman Dixon, Charlene Matthews, Richard Troncone, Bee Shay, Dennis Yuen, Jennifer Kaiser, Susan Reardon, Holly Sar Dye, Andrew Borloz, Judi Delgado, Elaine Nishizu, Leslie C. Herger, Rhonda Miller, and Marcia Moore